Friday, January 24, 2020

A Universe in a Pizza Box :: College Admissions Essay

A Universe in a Pizza Box In one corner of our yard, just to the right of the trash cans and behind an aging fence, there is a stack of several pizza boxes, or at least there was one until last Sunday. These pizza boxes had accumulated almost mysteriously over some weeks in a very neat stack in the dirt beside the garbage cans. They waited patiently to be put out by the curb for the Tuesday morning recycling truck. Somehow though, while the neighboring trash cans moved in and out from the curb, and various loads of glass bottles and aluminum passed through this depot, the pizza boxes remained in the dirt, alone and forgotten. The rains came and softened up the cardboard, the stack sagged in the middle, and was again stiffened by the sun. Something amazing began to happen. It was only after trying to throw out these old boxes in a fit of neatness, that I discovered the miracle that had taken place. I found when I pulled back the first layer, not just soggy cardboard, but a miniature ecosystem teeming with life. A herd of slugs meandered over the plain that read â€Å"Woodstock’s† in faded brown lettering. Suddenly exposed to light, a giant earthworm the width of my small finger writhed in the damp center. Flocks of isopod-like pill bugs dove for the corners and dodged around gleaming piles of earthworm eggs. Dashing about madly, a beetle and a confused, many-legged creature searched for a hiding place. I watched the churning scene in amazement, marveling at the microcosm that these pizza boxes had become. I couldn’t bring myself to simply toss this wealth of life in a garbage can, yet the soggy pile shouldn’t sit in the yard any longer. There were only two individuals around that would appreciate this treasure more than I, and who could actually benefit from it too. A few minutes later I watched in satisfaction as my chickens, like two stately ladies, sampled the smorgasboard I offered. This is why I study zoology, I thought, for the enjoyment of just watching life act out its strange and comedic drama. Earlier, while musing about how I came to study the animal world, I had wished I could tell of some cataclysmic event—a revelation or burning bush—that had told me that this should be my path.

Wednesday, January 15, 2020

Digital Fortress Chapter 115-117

Chapter 115 The emptiness in David Becker's mind was absolute. I am dead. And yet there was a sound. A distant voice†¦ â€Å"David.† There was a dizzying burning beneath his arm. His blood was filled with fire. My body is not my own. And yet there was a voice, calling to him. It was thin, distant. But it was part of him. There were other voices too-unfamiliar, unimportant. Calling out. He fought to block them out. There was only one voice that mattered. It faded in and out. â€Å"David†¦ I'm sorry†¦Ã¢â‚¬  There was a mottled light. Faint at first, a single slit of grayness. Growing. Becker tried to move. Pain. He tried to speak. Silence. The voice kept calling. Someone was near him, lifting him. Becker moved toward the voice. Or was he being moved? It was calling. He gazed absently at the illuminated image. He could see her on a small screen. It was a woman, staring up at him from another world. Is she watching me die? â€Å"David†¦Ã¢â‚¬  The voice was familiar. She was an angel. She had come for him. The angel spoke. â€Å"David, I love you.† Suddenly he knew. Susan reached out toward the screen, crying, laughing, lost in a torrent of emotions. She wiped fiercely at her tears. â€Å"David, I-I thought†¦Ã¢â‚¬  Field Agent Smith eased David Becker into the seat facing the monitor. â€Å"He's a little woozy, ma'am. Give him a second.† â€Å"B-but,† Susan was stammering, â€Å"I saw a transmission. It said†¦Ã¢â‚¬  Smith nodded. â€Å"We saw it too. Hulohot counted his chickens a little early.† â€Å"But the blood†¦Ã¢â‚¬  â€Å"Flesh wound,† Smith replied. â€Å"We slapped a gauze on it.† Susan couldn't speak. Agent Coliander piped in from off camera. â€Å"We hit him with the new J23-long-acting stun gun. Probably hurt like hell, but we got him off the street.† â€Å"Don't worry, ma'am,† Smith assured. â€Å"He'll be fine.† David Becker stared at the TV monitor in front of him. He was disoriented, light-headed. The image on the screen was of a room-a room filled with chaos. Susan was there. She was standing on an open patch of floor, gazing up at him. She was crying and laughing. â€Å"David. Thank God! I thought I had lost you!† He rubbed his temple. He moved in front of the screen and pulled the gooseneck microphone toward his mouth. â€Å"Susan?† Susan gazed up in wonder. David's rugged features now filled the entire wall before her. His voice boomed. â€Å"Susan, I need to ask you something.† The resonance and volume of Becker's voice seemed to momentarily suspend the action in the databank. Everyone stopped midstride and turned. â€Å"Susan Fletcher,† the voice resonated, â€Å"will you marry me?† A hush spread across the room. A clipboard clattered to the floor along with a mug of pencils. No one bent to pick them up. There was only the faint hum of the terminal fans and the sound of David Becker's steady breathing in his microphone. â€Å"D-David†¦Ã¢â‚¬  Susan stammered, unaware that thirty-seven people stood riveted behind her. â€Å"You already asked me, remember? Five months ago. I said yes.† â€Å"I know.† He smiled. â€Å"But this time†-he extended his left hand into the camera and displayed a golden band on his fourth finger-â€Å"this time I have a ring.† Chapter 116 â€Å"Read it, Mr. Becker!† Fontaine ordered. Jabba sat sweating, hands poised over his keyboard. â€Å"Yes,† he said, â€Å"read the blessed inscription!† Susan Fletcher stood with them, weak-kneed and aglow. Everyone in the room had stopped what they were doing and stared up at the enormous projection of David Becker. The professor twisted the ring in his fingers and studied the engraving. â€Å"And read carefully!† Jabba commanded. â€Å"One typo, and we're screwed!† Fontaine gave Jabba a harsh look. If there was one thing the director of the NSA knew about, it was pressure situations; creating additional tension was never wise. â€Å"Relax, Mr. Becker. If we make a mistake, we'll reenter the code till we get it right.† â€Å"Bad advice, Mr. Becker,† Jabba snapped. â€Å"Get it right the first time. Kill-codes usually have a penalty clause-to prevent trial-and-error guessing. Make an incorrect entry, and the cycle will probably accelerate. Make two incorrect entries, and it will lock us out permanently. Game over.† The director frowned and turned back to the screen. â€Å"Mr. Becker? My mistake. Read carefully-read extremely carefully.† Becker nodded and studied the ring for a moment. Then he calmly began reciting the inscription. â€Å"Q†¦ U†¦ I†¦ S†¦ space†¦ C†¦Ã¢â‚¬  Jabba and Susan interrupted in unison. â€Å"Space?† Jabba stopped typing. â€Å"There's a space?† Becker shrugged, checking the ring. â€Å"Yeah. There's a bunch of them.† â€Å"Am I missing something?† Fontaine demanded. â€Å"What are we waiting for?† â€Å"Sir,† Susan said, apparently puzzled. â€Å"It's†¦ it's just†¦Ã¢â‚¬  â€Å"I agree,† Jabba said. â€Å"It's strange. Passwords never have spaces.† Brinkerhoff swallowed hard. â€Å"So, what are you saying?† â€Å"He's saying,† Susan interjected, â€Å"that this may not be a kill-code.† Brinkerhoff cried out, â€Å"Of course it's the kill-code! What else could it be? Why else would Tankado give it away? Who the hell inscribes a bunch of random letters on a ring?† Fontaine silenced Brinkerhoff with a sharp glare. â€Å"Ah†¦ folks?† Becker interjected, appearing hesitant to get involved. â€Å"You keep mentioning random letters. I think I should let you know†¦ the letters on this ring aren't random.† Everyone on the podium blurted in unison. â€Å"What!† Becker looked uneasy. â€Å"Sorry, but there are definitely words here. I'll admit they're inscribed pretty close together; at first glance it appears random, but if you look closely you'll see the inscription is actually†¦ well†¦ it's Latin.† Jabba gaped. â€Å"You're shitting me!† Becker shook his head. â€Å"No. It reads, ‘Quis custodiet ipsos custodes.' It translates roughly to-â€Å" â€Å"Who will guard the guards!† Susan interrupted, finishing David's sentence. Becker did a double-take. â€Å"Susan, I didn't know you could-â€Å" â€Å"It's from Satires of Juvenal,† she exclaimed. â€Å"Who will guard the guards? Who will guard the NSA while we guard the world? It was Tankado's favorite saying!† â€Å"So,† Midge demanded, â€Å"is it the pass-key, or not?† â€Å"It must be the pass-key,† Brinkerhoff declared. Fontaine stood silent, apparently processing the information. â€Å"I don't know if it's the key,† Jabba said. â€Å"It seems unlikely to me that Tankado would use a nonrandom construction.† â€Å"Just omit the spaces,† Brinkerhoff cried, â€Å"and type the damn code!† Fontaine turned to Susan. â€Å"What's your take, Ms. Fletcher?† She thought a moment. She couldn't quite put her finger on it, but something didn't feel right. Susan knew Tankado well enough to know he thrived on simplicity. His proofs and programming were always crystalline and absolute. The fact that the spaces needed to be removed seemed odd. It was a minor detail, but it was a flaw, definitely not clean-not what Susan would have expected as Ensei Tankado's crowning blow. â€Å"It doesn't feel right,† Susan finally said. â€Å"I don't think it's the key.† Fontaine sucked in a long breath, his dark eyes probing hers. â€Å"Ms. Fletcher, in your mind, if this is not the key, why would Ensei Tankado have given it away? If he knew we'd murdered him-don't you assume he'd want to punish us by making the ring disappear?† A new voice interrupted the dialogue. â€Å"Ah†¦ Director?† All eyes turned to the screen. It was Agent Coliander in Seville. He was leaning over Becker's shoulder and speaking into the mic. â€Å"For whatever it's worth, I'm not so sure Mr. Tankado knew he was being murdered.† â€Å"I beg your pardon?† Fontaine demanded. â€Å"Hulohot was a pro, sir. We saw the kill-only fifty meters away. All evidence suggests Tankado was unaware.† â€Å"Evidence?† Brinkerhoff demanded. â€Å"What evidence? Tankado gave away this ring. That's proof enough!† â€Å"Agent Smith,† Fontaine interrupted. â€Å"What makes you think Ensei Tankado was unaware he was being killed?† Smith cleared his throat. â€Å"Hulohot killed him with an NTB-a noninvasive trauma bullet. It's a rubber pod that strikes the chest and spreads out. Silent. Very clean. Mr. Tankado would only have felt a sharp thump before going into cardiac arrest.† â€Å"A trauma bullet,† Becker mused to himself. â€Å"That explains the bruising.† â€Å"It's doubtful,† Smith added, â€Å"that Tankado associated the sensation with a gunman.† â€Å"And yet he gave away his ring,† Fontaine stated. â€Å"True, sir. But he never looked for his assailant. A victim always looks for his assailant when he's been shot. It's instinct.† Fontaine puzzled. â€Å"And you're saying Tankado didn't look for Hulohot?† â€Å"No, sir. We have it on film if you'd like-â€Å" â€Å"X-eleven filter's going!† a technician yelled. â€Å"The worm's halfway there!† â€Å"Forget the film,† Brinkerhoff declared. â€Å"Type in the damn kill-code and finish this!† Jabba sighed, suddenly the cool one. â€Å"Director, if we enter the wrong code†¦Ã¢â‚¬  â€Å"Yes,† Susan interrupted, â€Å"if Tankado didn't suspect we killed him, we've got some questions to answer.† â€Å"What's our time frame, Jabba?† Fontaine demanded. Jabba looked up at the VR. â€Å"About twenty minutes. I suggest we use the time wisely.† Fontaine was silent a long moment. Then sighed heavily. â€Å"All right. Run the film.† Chapter 117 â€Å"Transmitting video in ten seconds,† Agent Smith's voice crackled. â€Å"We're dropping every other frame as well as audio-we'll run as close to real time as possible.† Everyone on the podium stood silent, watching, waiting. Jabba typed a few keys and rearranged the video wall. Tankado's message appeared on the far left: ONLY THE TRUTH WILL SAVE YOU NOW On the right of the wall was the static interior shot of the van with Becker and the two agents huddled around the camera. In the center, a fuzzy frame appeared. It dissolved into static and then into a black and white image of a park. â€Å"Transmitting,† Agent Smith announced. The shot looked like an old movie. It was stilted and jerky-a by-product of frame-dropping, a process that halved the amount of information sent and enabled faster transmission. The shot panned out across an enormous concourse enclosed on one end by a semicircular facade-the Seville Ayuntamiento. There were trees in the foreground. The park was empty. â€Å"X-eleven's are down!† a technician called out. â€Å"This bad boy's hungry!† Smith began to narrate. His commentary had the detachment of a seasoned agent. â€Å"This is shot from the van,† he said, â€Å"about fifty meters from the kill zone. Tankado is approaching from the right. Hulohot's in the trees to the left.† â€Å"We've got a time crunch here,† Fontaine pressed. â€Å"Let's get to the meat of it.† Agent Coliander touched a few buttons, and the frame speed increased. Everyone on the podium watched in anticipation as their former associate, Ensei Tankado, came into the frame. The accelerated video made the whole image seem comic. Tankado shuffled jerkily out onto the concourse, apparently taking in the scenery. He shielded his eyes and gazed up at the spires of the huge facade. â€Å"This is it,† Smith warned. â€Å"Hulohot's a pro. He took his first open shot.† Smith was right. There was a flash of light from behind the trees on the left of the screen. An instant later Tankado clutched his chest. He staggered momentarily. The camera zoomed in on him, unstable-in and out of focus. As the footage rolled in high speed, Smith coldly continued his narration. â€Å"As you can see, Tankado is instantly in cardiac arrest.† Susan felt ill watching the images. Tankado clutched at his chest with crippled hands, a confused look of terror on his face. â€Å"You'll notice,† Smith added, â€Å"his eyes are focused downward, at himself. Not once does he look around.† â€Å"And that's important?† Jabba half stated, half inquired. â€Å"Very,† Smith said. â€Å"If Tankado suspected foul play of any kind, he would instinctively search the area. But as you can see, he does not.† On the screen, Tankado dropped to his knees, still clutching his chest. He never once looked up. Ensei Tankado was a man alone, dying a private, natural death. â€Å"It's odd,† Smith said, puzzled. â€Å"Trauma pods usually won't kill this quickly. Sometimes, if the target's big enough, they don't kill at all.† â€Å"Bad heart,† Fontaine said flatly. Smith arched his eyebrows, impressed. â€Å"Fine choice of weapon, then.† Susan watched as Tankado toppled from his knees to his side and finally onto his back. He lay, staring upward, grabbing at his chest. Suddenly the camera wheeled away from him back toward the grove of trees. A man appeared. He was wearing wire-rim glasses and carrying an oversize briefcase. As he approached the concourse and the writhing Tankado, his fingers began tapping in a strange silent dance on a mechanism attached to his hand. â€Å"He's working his Monocle,† Smith announced. â€Å"Sending a message that Tankado is terminated.† Smith turned to Becker and chuckled. â€Å"Looks like Hulohot had a bad habit of transmitting kills before his victim actually expired.† Coliander sped the film up some more, and the camera followed Hulohot as he began moving toward his victim. Suddenly an elderly man rushed out of a nearby courtyard, ran over to Tankado, and knelt beside him. Hulohot slowed his approach. A moment later two more people appeared from the courtyard-an obese man and a red-haired woman. They also came to Tankado's side. â€Å"Unfortunate choice of kill zone,† Smith said. â€Å"Hulohot thought he had the victim isolated.† On the screen, Hulohot watched for a moment and then shrank back into the trees, apparently to wait. â€Å"Here comes the handoff,† Smith prompted. â€Å"We didn't notice it the first time around.† Susan gazed up at the sickening image on the screen. Tankado was gasping for breath, apparently trying communicate something to the Samaritans kneeling beside him. Then, in desperation, he thrust his left hand above him, almost hitting the old man in the face. He held the crippled appendage outward before the old man's eyes. The camera tightened on Tankado's three deformed fingers, and on one of them, clearly glistening in the Spanish sun, was the golden ring. Tankado thrust it out again. The old man recoiled. Tankado turned to the woman. He held his three deformed fingers directly in front of her face, as if begging her to understand. The ring glinted in the sun. The woman looked away. Tankado, now choking, unable to make a sound, turned to the obese man and tried one last time. The elderly man suddenly stood and dashed off, presumably to get help. Tankado seemed to be weakening, but he was still holding the ring in the fat man's face. The fat man reached out and held the dying man's wrist, supporting it. Tankado seemed to gaze upward at his own fingers, at his own ring, and then to the man's eyes. As a final plea before death, Ensei Tankado gave the man an almost imperceptible nod, as if to say yes. Then Tankado fell limp. â€Å"Jesus.† Jabba moaned. Suddenly the camera swept to where Hulohot had been hiding. The assassin was gone. A police motorcycle appeared, tearing up Avenida Firelli. The camera wheeled back to where Tankado was lying. The woman kneeling beside him apparently heard the police sirens; she glanced around nervously and then began pulling at her obese companion, begging him to leave. The two hurried off. The camera tightened on Tankado, his hands folded on his lifeless chest. The ring on his finger was gone.

Tuesday, January 7, 2020

Are Parents Responsible for their Children’s Behavior

Are Parents Responsible for their Childrens Behavior? When children behave badly, should their parents accept responsibility for their behavior? Moreover, should the parents be punished for the bad behavior of their children? This is a seemingly difficult question to answer for many reasons. It’s because of a basic misunderstanding about the responsibility of parents in instructing their children. Many modern societies consider corporal punishment of children as unacceptable. There are laws in certain countries that can put parents behind bars for spanking their own kids. Although this is done in an effort to control child abuse, it can have a lot of negative repercussions. These laws can prohibit responsible parents from correcting their children and showing them the right way to behave in life. It is very evident that kids from dysfunctional homes, where parents have no control over their kids, end up as anti-social elements. Since there is no one to correct their behavior and show them the right way to live, they end up as drug addicts and social outcasts. Therefore, parents need the freedom to properly instruct and guide their children. But when that freedom is snatched from them, their children can often end up on the wrong side of the law. Only then, the question of parents accepting the responsibility and punishment for their children’s errors comes into the picture. If parents are given the freedom to correct their children in the way they think best, then they should be held responsible for their children’s actions. They would also have to undergo punishment if the children are too young to bear the consequences of their actions. On the other hand, if parents are

Monday, December 30, 2019

Media Research On The World War II - 1479 Words

A Focus group is defined as a research technique that collects data through a group interaction, on a given topic from the researcher. Along with this definition are some essential components. Firstly, it states that, focus groups are research methods devoted to data collection. Secondly, it signifies the interaction of group discussion as a source of data. Lastly, it acknowledges the active role of researchers in establishing the group discussion in order to collect data (David, 1996.p.130). This media research method has been used previously, since the year 1993. According to the Hardwick Research, focus groups were first used in the U.S, for media research on war propaganda at Princeton University, during the World War II (Hardwick, 2014). The objective was to aid the U.S government to understand the most effective messages that would influence support for the war. Today, focus groups are depended on by researchers who aim to understand the emotions, behaviours and knowledge of selected participants. To add on that, Litosseliti (2003) acknowledges the fact that the dynamism of technology has been able to improve and enrich how data can be collected from a focus group. There are various developments, for example, projections, which uncover participants’ hidden attitudes (Hardwick, 2014). The sole purpose of focus groups is to collect data through conducting primary research. However, aside from data collection, focus groups may also be for other motives, such as: therapy,Show MoreRelated The Technological Revolution901 Words   |  4 Pagesdevelopments in science and technology contribute, whether in a perceived positive of negative light. In times such as war, where technology essentially determines the outcome, the public’s perception of technology becomes essential, as well as the implementation of said technology. Many other factors are pertinent in determining the way the public identifies science and technology. After World War II and the evolution of nuclear weapons because of the Manhattan Project, the image of science and technologyRead MoreHow the Two World Wars Altered the Independence of Women1095 Words   |  4 Pagesthe well-known wars of our time, many women were living their lives as oppressed housewives. With the changes that occurred throu ghout the two world wars, women had the chance to break out of their ordinary lifestyles and prove themselves worthy of something more than the housewife stereotype. Each world war brought on a different opportunity for the women of that time period. 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Focusing on the hidden nature of propaganda in American life, his concluding chapter presents a very drastic view of the individuals who crafted the academic subject now known as mass communications. I see the need for investigatingRead MoreBusiness: Axe Commercial Research Essays1132 Words   |  5 PagesInformation Company Axe is one of the 400 brands which is belonged to Unilever Company. The portfolio of this multinational company focuses on health and wellbeing mainly, including food, beverages, cleaning agents and personal care products. Many world-leading brands including Axe, Lipton, Knorr, Dove, Hellmann’s and Omo are some of these brands (unilever.com). 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These computers sold millions (page 138-139). After the success with Apple II, the two Steves work together with Xerox PARC. With the collaboration Apple and Xerox, they invented the Macintosh. Unlike its precedent, the Apple II, the Macintosh it had

Sunday, December 22, 2019

How to Change Oil in a Car Essay - 1152 Words

How to Change Oil in a Car Owning a car is usually a significant investment for an individual. Changing the oil on your car plays an important part to help keep it functioning at peak performance and to ensure that your vehicle last for many miles. You might wonder how often does the oil need changing. Well, manufactures advise that the oil is changed every 3,000 miles or every three months, whichever occurs first. Changing the oil is not an extremely difficult task, but it is always good to have someone else there, who has done this before, to help if needed. I would also suggest finding an outfit you wouldn’t mind getting dirty and a pair of rubber gloves to keep your hands clean. The key to keeping any task, especially this†¦show more content†¦Two empty milk containers should do the trick. If you don’t have any laying around, just use the empty oil bottle containers. A funnel works well when transferring the old oil into the containers. Last, some old rags are good for cleaning up spills. Now that all the materials are gathered, we can change into our outfits and get started. Make sure that your car is parked on a level surface, rather than a hill or an inclined driveway. Start your car and let it run for about 10 minutes. This process allows the oil to warm up which makes it drain quicker than cold oil. Shut the car off and engage the parking brake. Place jack under vehicle lift points, located on the frame rails just behind the front tires. Raise the car by pumping the jack up and down, giving enough clearance to slid the jack stand under the car. Place the jack stand under the frame or anywhere sturdy enough to support the weight of the car. Adjust the height of the stands to allow room for you to get under the car. After jack stands are positioned, slowly lower the car onto the stands by turning the pole on the jack to left. Now its time to grab your drain pan and slide under the car to located the oil pan. It is located on the lowest, very bottom part of the engine. There is a plug, which is a bolt, located on the bottom part of the oil pan. Make sure you are not directly underneath the plug. The drain pan should be directly under it. Use a socket wrench or an adjustable wrench toShow MoreRelatedDemonstration Speech945 Words   |  4 Pagesï » ¿Demonstration Speech HOW TO CHANGE THE OIL IN A CAR General Purpose: To inform Specific Purpose: To demonstrate to the audience how to properly change the oil in a car. Central Idea: Changing the oil in your car is a simple task that one can easily perform at home. INTRODUCTION I. When you’re driving down the road and your odometer trips another 3000 miles you’re probably thinking there goes another 30 dollars for an oil change. II. Changing the oil in your car is a simple task thatRead More How To Change the Oil in your Cars Engine Essay764 Words   |  4 PagesHow To Change the Oil in your Cars Engine Automobiles are Americans second largest investment after real estate. It is impoprtant to understand how to keep your car performing at its best. The major components of a car consist of the engine, transmission, brakes, suspension, and tires. The purpose of this essay is to guide you through the process of changing the oil in your cars engine. An oil change is recommended every 3,000 to 5,000 miles depending on your driving style and conditionsRead MoreWhat Makes Your Owner s Manual?905 Words   |  4 PagesOne of the simplest car maintenance tasks to handle yourself is changing the oil. Along with replacing the oil filter, your oil change outlay should come in around $25 or typically half the cost of having your dealer or service center do the work for you. We’ll take a look at how to change your own oil, including the tools you will need and the environmentally responsible way for disposing the old oil and the filter. This is a job you can complete within a half hour. 1. Assemble your materialsRead MoreEssay On Changing Oil1196 Words   |  5 PagesThe task of changing oil in your car is neither as easy as threading a needle nor as difficult as building a rocket. But this is the least you can do to serve your car at home if you only know and follow a simple procedure, precautions and tips. Following which can not only save you from the extra trouble of going to the service station and waiting for an hour or half till the oil is changed but it also helps you save the money you would pay unnecessarily to the service man at fuel station and buyRead MoreEssay on The Basics of Vehicle Maintenance557 Words   |  3 Pages This is about Maintenance of Car. The basics of vehicle maintenance is how to change your oil, a tire, or a fuse, check tire pressure, detail your car, store a vehicle, and more. After this paragraph, it will explain how to do those things with more information’s. The important thing is follow the Instructions and follow every step in the process. The fuse always breaks all the time. So to prevent the danger, broken fuse will cause as such like fire and serious damage, you have to replace theRead MoreEssay about Xpresso Lube819 Words   |  4 Pagesthe knowledge of oil-change from his family members and also good in musician. Xpresso Lube was found because Charlie had an unpleasant experience while getting his car oil changed. He witnesses the lube technician was trying to â€Å"ripped off† an elderly lady. From that incident onwards, it gave him a clear idea of setting up his own oil-change station. From the oil change business, Charlie, wants to move customers in an out as quickly as possible. Speed of the service is the way how Xpresso Lube differentiatesRead MoreI Was Driving Home From School Essay1510 Words   |  7 Pagesflashing on the dash of my car. It was the oil light telling me that it was time to have an oil change, so instead of driving home I went straight to the toyota dealership because at the time I drove a Toyota Landcruiser. When I got there they handed me a clipboard full of information i needed to fill out. It took me a full ten minutes to complete and even after all that they still handed me more papers to write my signature on, I thought to myself, †all that for a simple oil change†. After finally completingRead MoreEssay On How To Change Your Own Oil825 Words   |  4 PagesLearning to change your own oil is an excellent way to save money and increase your mechanical know how. Changing your own oil can save you several hundred dollars a year. It also prevents premature wear of parts, which can cost even more money to repair. Before you begin, make sure to understand the risks involved. Getting under a car can be extremely dangerous without the proper safety equipment. An unsupported car can fall and seriously injure or kill you. Hot oil can burn you as well, so makeRead MoreResearch Paper On Changing Oil882 Words   |  4 PagesHave you ever change oil? It is usually, time to the oil when the oil light comes on. Most owner manuals suggest you should change the oil between 3,000 to 5,000 miles. You also can tell that it is time to change your oil when your gas starts to run out fast. A standard oil change can be performed by any adult with common sense, and that is physically capable of doing one if health permits. This procedure can be performed anywhere that is safe. It is essential to change your oil because not changingRead MoreHow to Do an Oil Change (Process Essay Example)989 Words   |  4 PagesRene Hutchinson Rosemary Mack English 091 20 October 2012 How to change your car’s oil. Having a car not only implies driving it, but also involves taking care of it, which can be expensive. Fortunately there are certain things we can do by ourselves. An oil change periodically is imperative to keep a car in optimum conditions and actually it is easier to do than it sounds. Is good to know that a car needs an oil change every 3000 to 5000 miles or 3 months, whichever comes first

Saturday, December 14, 2019

Poems from the ‘Book of matches’ Free Essays

I have decided to use two poems from the book of matches, ‘Those bastards in their mansions’, ‘I’ve made out a will’ and the poem ‘Kid’ to compare and contrast. Simon Armitage wrote ‘Book of matches’ in 1993. It is a selection of poems without titles. We will write a custom essay sample on Poems from the ‘Book of matches’ or any similar topic only for you Order Now Each poem is meant to be read in the time that it takes for a match to burn down. There is a pun in the title, a packet from which we tear out the matches a book, but this is also a book in the normal sense, with words for us to read. Both of these poems are fourteen lines long, but they are not strictly a sonnet in form. ‘I’ve made out a will’ has irregular rhymes, both full and half rhymes. It is split so that there is a first block of eight lines, then a second block of six lines, which is split into a four and a two. The final section is split so that it ends in a couplet like a Shakespearean sonnet. Some may argue that this poem is not a sonnet because it does not follow a conventional sonnet form, such as a Shakespearean sonnet or a Petrarchan sonnet. ‘Those bastards in their mansions’ has some weird features to its structure. Ten of the first eleven lines end in an unstressed syllable, and there are some rhymes such as â€Å"ditches/britches†, â€Å"porches and torches†, and there is the part-rhyme in â€Å"shackles/ankles†. At the end of the poem, there is short lines and true rhyme on one syllable, â€Å"sun† and gun†. This may suggest the power of the shadowy outlaw, who eludes his wealthy foes. Like ‘Those bastards in their mansions’, in the poem ‘Kid’, every line ends with an unstressed syllable. Every line ends with the ‘-er’ sound. The poem starts off with heavy syllables to emphasise that Robin, the persona of the poem is annoyed. The heavy syllables are almost like Robin is shouting, and they show that he is in a mood. It is almost comical how the poet manages to end every line with ‘-er’. As the poem progresses, the reader wonders how the poet is able to continue with this pattern. The poem is ideally suited to be read aloud, as the ending lines accumulate, the listeners wonder how the reader will keep up. ‘I’ve made out a will’ is about an organ donor with a reservation. The speaker in the poem explains how he has decided to donate his body to the National Health Service. He says how he is going to donate everything apart from his heart. Not only is he going to donate his organs, but he has also ‘made out a will’ so that his wishes are taken out after he has died. He lists all of the parts that he is ‘sure they can use’, but some things would only be useful for research, such as veins and nerves. In ‘Those bastards in their mansions’, the persona of the poem has a grudge against people. He mentions words such as ‘mansions’, ‘palaces’ and ‘castles’. Here this is probably a large exaggeration, but it could be taken literally as the poem could be set in the past, there is mention of ‘burning torches’ and ‘cuffs and shackles’. Like in ‘Those bastards in their mansions’, in ‘Kid’, Robin has a grudge against Batman. Simon Armitage imagines that Robin has separated from Batman and that he has succeeded and that Batman has turned into a failure. It says how Batman has ‘nothing in the walk-in larder’. This is the opposite to ‘Those bastards in their mansions’ because in that poem the persona has nothing compared to the people he has a grudge against and is jealous. At the end of the first eight-line section, the speaker concludes his list with the one exception, ‘but not the heart, they can leave that alone’. And at the end of the poem, he repeats this, ‘but not the pendulum, the ticker/leave that where it stops or hangs’ he does not say why he does not want his heart to be used again, maybe it is because it is the part of him that keeps him alive, and he does not think that it would be right if someone else used this part. To the national health, the heart is the most valuable organ, so we do not know why the reader wants so much to hold onto his heart, he emphasises how much he wants his heart by the amount of times that he says that he does not want it to be used. This poem has a vivid series of metaphors, which are in lists. The metaphors portray different things. Some of the images have medical overtones, ‘tubes’, ‘stitches’ and ‘wounds’. These are quite graphic words and show us that the reader predicts dying maybe in an accident, and that he could receive surgery. There are words to do with workshops such as glues and chassis. Others respond to food or cookery such as ‘jellies’, ‘syrups’, ‘loaf’ and ‘gallon†¦of bilberry soup’. There are a lot of different images only for one thing. The skeleton is known as the ‘chassis’, ‘cage’, and ‘cathedral of bone’. Throughout the second part of the poem, there is an extended metaphor. This is one of a clock. Here there is ‘loops and coils and crockets and springs and rods, the twines and cords and strands, the face, the case, the cogs and the hands,’ †˜the face’ and ‘the hands’ are already words for parts of the human body, but other parts of this phrase can be worked in to go along with other parts of the human body. In the last two lines he says how he does not want his heart to be touches, he compares this with ‘the pendulum, the ticker’. These are the parts of the clock that makes everything work, just like the human heart. In this passage, Simon Armitage uses lots of metaphors. This is to emphasise points. For example, he uses not only ‘pendulum’, but also ‘ticker’ to talk about the heart. Throughout this poem the poet describes the human body merely as lots of parts, he shows no emotion towards anything apart from the heart. This could be because the speaker sees the heart as being the most important part of a mechanism, like a pendulum in a clock. It also maybe that he values the heart as a symbol of all things that make life worth living, a heart is the symbol of love, affection, energy, desire, and much more. Or, perhaps he feels that he is inside his heart, and it is like a soul, and if he gives up his heart then he is giving up his immortality. How to cite Poems from the ‘Book of matches’, Papers

Friday, December 6, 2019

Variety of Heuristic Strategies Samples †MyAssignmenthelp.com

Question: Discuss about the Variety of Heuristic Strategies. Answer: Elimination by aspects Strategy Heuristics refer to simple, efficient rules used by people in the decision-making process. Decision makers have a variety of heuristic strategies at their disposal. My most preferred strategy is elimination by aspects which involves identification of the most important attribute for me and cutting off those options that do not meet the criteria (Goodwin and Wright, 2014). This strategy ensures that I am left with the single most important option among multiple options. For example, when I want to buy a new phone I use one important attribute such as internal storage capacity and Camera megapixels and discard some of the available options because they have a lower capacity or camera megapixels than I desire until I am left with the best option. Advantages Among the advantages of this method is that it is relatively easy to use and can be justified easily (Zeleny, 2011). Disadvantage This strategy does not, however, guarantee that the options retained are better than those eliminated (Goodwin and Wright, 2014). References Goodwin, P. and Wright, G., 2014. Decision Analysis for Management Judgment 5th ed. John Wiley and sons. Zeleny, M., 2011. Multiple criteria decision making (MCDM): From paradigm lost to paradigm regained?. Journal of Multi?Criteria Decision Analysis, 18(1-2), pp.77-89.